| SENSOR TYPE |
RED DRAGON 13.8 MP Super 35mm CMOS |
| EFFECTIVE PIXELS |
5120 × 2700 |
| SENSOR SIZE |
25.6 mm x 13.5 mm (Diagonal: 28.9 mm) |
| DYNAMIC RANGE |
16.5+ stops |
| SIGNAL-TO-NOISE-RATIO |
80 dB |
| MAX DATA RATES |
Up to 140 MB/s using RED MINI-MAG |
| MAX FRAME RATES 1 |
50 fps at 5K Full Frame (5120 × 2700), 60 fps at 5K 2.4:1 (5120 × 2160) |
| 120 fps at 4K Full Frame (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) |
| 150 fps at 3K Full Frame (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) |
| 240 fps at 2K Full Frame (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864) |
| PLAYBACK FRAME RATES |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
| (PROJECT TIMEBASE) |
| REDCODE SETTINGS |
5:1 REDCODE for 5K Full Frame (5120 × 2700) at 24 fps |
| RANGE FROM 2:1 UP TO 22:1 1 |
9:1 REDCODE for 5K Full Frame (5120 × 2700) at 50 fps |
|
3:1 REDCODE for 4K Full Frame (4096 × 2160) at 24 fps |
|
7:1 REDCODE for 4K Full Frame (4096 × 2160) at 60 fps |
| REDCODE RAW |
5K Full Frame (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
| ACQUISITION FORMATS 2 |
4K Full Frame (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
|
3K Full Frame (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
|
2K Full Frame (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
| APPLE PRORES |
422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 60 fps |
| AVID CODECS 3 |
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps |
| TYPICAL MAX RECORDING TIME |
5K Full Frame (5120 × 2700) at 24 fps and 11:1 REDCODE: 41 minutes |
| USING RED MINI-MAG 120GB 5 |
5K Full Frame (5120 × 2700) at 48 fps and 14:1 REDCODE: 26 minutes |
|
4.5K 2.4:1 (4608 × 1944) at 120 fps and 15:1 REDCODE: 17 minutes |
| CONSTRUCTION |
Aluminum Alloy |
| WEIGHT |
3.5 lbs (BRAIN with Integrated Media Bay) |
| OPERATING TEMPERATURE |
0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE |
–20°C to 50°C (–4°F to 122°F) |
| RELATIVE HUMIDITY |
0% to 85% non-condensing |
| COLOR MANAGEMENT |
Supports 17×17×17 3D LUTs |
| Variable number of 3D LUT outputs with DSMC2 expander module |
| User programmable shaper 1D LUTs |
| Tetrahedral interpolation, 16-bit processing |
| AUDIO |
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz |
| Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz |
| REMOTE CONTROL |
Integrated REDLINK WiFi antenna |
| Ethernet, RS232, and GPI Trigger with DSMC2 expander module |
| MONITOR OUTPUTS |
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module |
| 1080p RGB or 4:2:2, 720p RGB or 4:2:2 |
| 480p RGB or 4:2:2 (HDMI Only) |
| SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| MONITOR OPTIONS |
DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. |
| RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable. |
| REDCINE-X PRO |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) |
| DELIVERY FORMATS |
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) |
|
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF |
|
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |
| VIDEO EDITING SOFTWARE |
Adobe Premiere Pro, Avid Media Composer |
| COMPATIBILITY 4 |
DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro |
