[Total : 2 Moyenne : 5/5]
Notre propre Caméra RED WEAPON W sous notre drone
Voilà, c’est fait. Après plusieurs tournages à l’étranger avec les caméra de nos clients, nous venons de recevoir la notre. Une caméra Cinema 5K.
Notre Camera RED est disponible en location avec opérateur, partout en France, avec Quentin comme cadreur, au sol comme en aérien sous notre DJI M600Pro, avec parachute et coupe circuit.
Date : Juillet 2017
Matériels utilisés :
La nouvelle caméra RED apporte aux nouvelles caméras cinéma de la célèbre marque de caméras professionnelles, des images en 5K encore plus naturelles.
Avec des caractéristiques techniques exceptionnelles, cette caméra RED accompagne nos équipes sur toutes les tournages “lourd”.
| SENSOR TYPE | RED DRAGON 13.8 MP Super 35mm CMOS |
| EFFECTIVE PIXELS | 5120 × 2700 |
| SENSOR SIZE | 25.6 mm x 13.5 mm (Diagonal: 28.9 mm) |
| DYNAMIC RANGE | 16.5+ stops |
| SIGNAL-TO-NOISE-RATIO | 80 dB |
| MAX DATA RATES | Up to 140 MB/s using RED MINI-MAG |
| MAX FRAME RATES 1 | 50 fps at 5K Full Frame (5120 × 2700), 60 fps at 5K 2.4:1 (5120 × 2160) |
| 120 fps at 4K Full Frame (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) | |
| 150 fps at 3K Full Frame (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) | |
| 240 fps at 2K Full Frame (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864) | |
| PLAYBACK FRAME RATES | 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
| (PROJECT TIMEBASE) | |
| REDCODE SETTINGS | 5:1 REDCODE for 5K Full Frame (5120 × 2700) at 24 fps |
| RANGE FROM 2:1 UP TO 22:1 1 | 9:1 REDCODE for 5K Full Frame (5120 × 2700) at 50 fps |
| 3:1 REDCODE for 4K Full Frame (4096 × 2160) at 24 fps | |
| 7:1 REDCODE for 4K Full Frame (4096 × 2160) at 60 fps | |
| REDCODE RAW | 5K Full Frame (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
| ACQUISITION FORMATS 2 | 4K Full Frame (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
| 3K Full Frame (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x | |
| 2K Full Frame (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x | |
| APPLE PRORES | 422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 60 fps |
| AVID CODECS 3 | DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps |
| TYPICAL MAX RECORDING TIME | 5K Full Frame (5120 × 2700) at 24 fps and 11:1 REDCODE: 41 minutes |
| USING RED MINI-MAG 120GB 5 | 5K Full Frame (5120 × 2700) at 48 fps and 14:1 REDCODE: 26 minutes |
| 4.5K 2.4:1 (4608 × 1944) at 120 fps and 15:1 REDCODE: 17 minutes | |
| CONSTRUCTION | Aluminum Alloy |
| WEIGHT | 3.5 lbs (BRAIN with Integrated Media Bay) |
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) |
| RELATIVE HUMIDITY | 0% to 85% non-condensing |
| COLOR MANAGEMENT | Supports 17×17×17 3D LUTs |
| Variable number of 3D LUT outputs with DSMC2 expander module | |
| User programmable shaper 1D LUTs | |
| Tetrahedral interpolation, 16-bit processing | |
| AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz |
| Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz | |
| REMOTE CONTROL | Integrated REDLINK WiFi antenna |
| Ethernet, RS232, and GPI Trigger with DSMC2 expander module | |
| MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module |
| 1080p RGB or 4:2:2, 720p RGB or 4:2:2 | |
| 480p RGB or 4:2:2 (HDMI Only) | |
| SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio | |
| MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. |
| RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable. | |
| REDCINE-X PRO | 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) |
| DELIVERY FORMATS | 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) |
| 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF | |
| 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 | |
| VIDEO EDITING SOFTWARE | Adobe Premiere Pro, Avid Media Composer |
| COMPATIBILITY 4 | DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro |
